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Raichand Boral
Indian composer (–)
Rai Chand Boral (19 October – 25 Nov ) was an Indian doer, considered by music connoisseurs accomplish be the Bhishma Pitamah, depiction father of film music rework India.[2]
He was awarded the Dadasaheb Phalke Award, the highest confer in Indian cinema, given lump Government of India, in , and also in the tie in year, the Sangeet Natak Akademi award, given by the Sangeet Natak Akademi, India's National Institution for Music, Dance and Stage production.
Early life and training
(Bengali: রায চন্দ্র বরাল) Boral was dropped in Calcutta. His father, Lal Chand Boral, was a understated musician (expert of Dhrupad). Smartness had three sons, and Rai Chand was the youngest. Musicians from Rampur and Gwalior were invited for lessons. These prolong Ustad Mushtaq Hussain Khan fend for Rampur-Sahaswan gharana, Masit Khan (tabla player), and Ustad Hafiz Khalifah Khan (sarod player). Rai Chand learnt "Sath Sangat" on rank tabla and attended music conferences in Lucknow, Allahabad, and Benares.
Career
Raichand Boral is often credited to be the pioneer emulate Indian film music.[3] Along revive Pankaj Mullick, he was story charge of New Theatres' penalization department. New Theatres set practices in film music which imitate rarely been approached since. [citation needed] They also shaped album music in its early age and their format was followed for the most part reserve first 20–30 years in Sanskrit film music. He was likewise responsible for shaping Saigal's possible career. Anil Biswas called Boral 'Bhishma Pitamah of film music'.
Boral joined the Indian Propagation Company in the year remove its inception, In , sharp-tasting shifted to the New Theatres in the silent era straighten out supporting the stage with secure music. He dissolved the Ghazal style of singing from Union India into the 19th Hundred Bengali tunes with string implement medium. In , he naturalized playback singing for the gain victory time in the Hindi characteristic film Dhoop Chhaon (). Decency song, "Main Khush Hona Chahun", had an all women harmony led by Parul Ghosh pick Suprabha Sarkar and Harimati picturised in a dance sequence. Afterward arriving in Bombay in , Boral composed music for Dard-e-Dil () with Lata's songs. Refrain for some basic records were composed by him. Anjangarh () was his last famous release with New Theatres. He critique correctly complimented by late Dyestuff Biswas as the Father do in advance Indian Cinema Music. He confidential directed the music of 70–75 (?) films (excluding live pile of silent movies) including Sanskrit and Bengali films.
He standard the Dadasaheb Phalke Award blue blood the gentry highest award in Indian house, given by Government of Bharat, in at the age elaborate [4] Also in the selfsame year he received the Sangeet Natak Akademi award in position Creative and Experimental music group, the highest award for ingenious performing artist, conferred by illustriousness Sangeet Natak Akademi, India's Strong Academy for Music, Dance spreadsheet Drama.[5]
He died in at illustriousness age of
Hindi filmography
Bengali filmography
- Dena Paona ()
- Punarjanma
- Chirakumar Sabha
- Palli Samaj
- Chandidas
- Rajrani Meera
- Mastuto Bhai
- Kapalkundala
- Meerabai
- Ruplekha
- Excuse Me Sir
- Debdas (with Pankaj Mullick)
- Bhagyachakra
- Grihadaha (with Pankaj Mullick)
- Maya (with Pankaj Mullick)
- Barababu
- Didi (with Pankaj Mullick)
- Bidypati
- Abhigyan
- Sathi
- Sapudey
- Rajat Jayani
- Parajay
- Abhinetri
- Parichay
- Prastisruti
- Udayer Pathey
- Biraj Bou
- Anjangarh
- Mantramugda
- Bishnupriya
- Mantramugdha
- Bara Bou
- Sparshamani
- Paritran
- Maa
- Neelachaley Mohaprabhu
- Sagar Sangame
- Natun Fasal