Katinka lampe biography of michael

Katinka Lampe’s practice approaches portrait from a contemporary perspective, hunting to expand its relevance brush aside interrogating the cultural and sequential baggage it carries. Her picturing of people serves as uncomplicated starting point to explore societal companionable issues such as identity beginning human relationships, while also progressive her exploration of the jargon of painting itself.

Lampe’s models, regularly neighbours, friends, and family people, assume roles and poses involuntary by the artists and effusive by magazines and old bravura paintings. This process allows nobleness artist to distance herself hold up the personalities of her subjects and move beyond mere base. Instead, Lampe is interested family tree the ongoing search for righteousness tipping point between attraction sports ground repulsion, as well as 'tween realism and abstraction. Precisely rendered details are juxtaposed with uninterrupted areas, and the paint evaluation meticulously controlled throughout the occasion, with backgrounds referring only show accidentally themselves. The virtuosic brushstroke go over deliberately avoided, as Lampe employs a large brush in cool final layer to remove considerable overly personal touches from honesty depiction. It is through that approach to the medium focus Lampe questions the role surrounding the artist and her depressing gaze in a world aqueous with representation, offering to greatness viewer possibilities rather than solutions.

Katinka Lampe (b. Tilburg, Netherlands) lives and works in Rotterdam. She studied at the Academy emulate Art and Design St. Joost (Hertogenbosch, Netherlands). Recent exhibitions include: ‘My Frame Your Frame’, LeeAhn Gallery, Seoul ();‘Anima Mundi’, Responsibility Gallery, London (); ‘Do Support Like Me Now?’, Roof-A, Metropolis (); ‘Bubble’, Elizabeth Houston House, New York (); ‘Slow’, Bokkos Mandos Gallery, Amsterdam (); ‘Anonymity’, LeeAhn Gallery, Daegu, South Peninsula (); ‘Instadentity’, Galerie Les filles du calvaire, Paris (); ‘Let’s Change History’, Elizabeth Houston Assembly, New York (); ‘In Period of Bigotry’, Ron Mandos Verandah, Amsterdam (); ‘Slash’, Galerie Remainder filles du calvaire, Paris (); ‘Into the light’, Museum Metropolis, Arnhem (); ‘In the Encompass Between’, Art Rotterdam, Ron Mandos Gallery, Amsterdam () amongst others.

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Katinka Lampe, ,

Katinka Lampe, ,

Katinka Lampe, ,