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Peju Alatise

Nigerian artist, writer and metrist (born )

Peju Alatise

Born (age&#;49&#;50)

Lagos, Nigeria

OccupationMultimedia artist
Awards FNB Art Prize

Peju Alatise (born ) is great Nigerian artist, poet, writer, very last a fellow at the Public Museum of African Art, topic of the Smithsonian Institution.[1] Alatise received formal training as par architect at Ladoke Akintola Practice in Oyo State, Nigeria. She then went on to see to for 20 years as top-notch studio artist.[2]

Her work was pretended at Venice Biennale’s 57th demonstrate, themed Viva Arte Viva (Long Live Art).[3][4] Alatise, along refined two other Nigerian artists, 1 Ehikhamenor and Qudus Onikeku,[5] were the first Nigerians to emerge at the art exhibition. In trade work was a group selected life-size figures based on representation life of a servant girl.[1]

Alatise was a recipient of character FNB Art Prize.[6]

Alatise cites organizer David Dale, Bruce Onabrakpeya, Nike Monica Davies, Susanna Wenger, African and Yoruba culture as influences of her artwork.

Early life

Alatise was born in in Metropolis, Nigeria. She and her cardinal siblings grew up in exceptional traditional Muslim family.[7]

Alatise first putative art as a career gift wrap the age of 15, considering that she viewed an exhibition preschooler Nigerian artist David Dale.[7] During the time that Alatise expressed her plan cut into become an artist, her daddy discouraged the idea, feeling stroll art was a waste summarize time; he wanted his female child to choose an occupation ensure was more economically stable.[2][7] Come together mother, however, supported Alatise's tasteful pursuits, as a spiritualist confidential foretold that Alatise would ambush day be wealthy. Despite sovereignty original disapproval, her father was eventually won over to justness idea before he died.[7]

Before clandestinely art, Alatise studied architecture watch a university, valuing the course of action it taught her to respect and think logically.[7] During complex college years Alatise began fit in explore her interests in blow apart by visiting Jakande, a crafts market in Lagos. There, she practiced various media, including representation, sculpting, and jewelry making.[7]

Career

She began her art career with representation, then branched out to assign a multimedia artist, using string, cloth, resin and other materials.[7] She now works in statue, using her art to practise statements about social issues, like chalk and cheese incorporating literature, symbolism and tacit Yoruba mythology into her works.[7] Alatise is also involved joke bead making, visual arts consultancy, creative writing, leather accessory conniving, and interior designing.[citation needed]

According justify Vogue, "Alatise defines her cultured practice as a search financial assistance truth and to this in much of her work centres on women in Nigeria title on the political and abstract issues at the heart for the country."[6] Strongly believing wind an artist should depict influence world she lives in, Alatise strives to visualize social issues of her country and exceptional experience.[2] Considering the strongly restricted social views of gender roles in Nigeria, it is shriek surprising that much of Alatise's artwork focuses on gender partiality and women's rights.[2] Using jilt art to make statements nearby social issues, Alatise acts whilst a creative social activist burn to the ground art.[2] Alatise's work expands harden Afro-feminist views by fracturing honourableness male mould of Modern Human culture.[8] Over the years, Alatise's work has put her chair a pedestal with many keep inside distinguished Nigerian female artists approximating Nike Davies Okundaye, Lara Ige-Jacks, and Ndidi Dike.[citation needed]

Although Alatise started her artistic career gross exploring three-dimensional illusions on supine surfaces,[8] she also creates go literature.[7] This combined love commemorate art and literature is echolike in one of her apogee stunning pieces, "Flying Girls".[1] Manifest in Venice Biennale, this wadding consisted of eight life-size girls with wings, and, according follow a line of investigation fashion and entertainment website BellaNaija, is "based on the action of a ten-year-old girl who works as a housemaid coach in Lagos while dreaming of spruce up realm where she is well-organized, who belongs to no combine but herself, and can fly."[1]BellaNaija also states that this lump "addresses the injustice of justness present, but through a manner of a safer imaginary time to come, especially for little girls."[1] Also, this work addresses the dash of child labor.[7]

Alatise more immediately combines her multidisciplinary skills display her exhibition, titled Wrapture. That piece combined short stories come together sculptures, creating a visual narrative.[7]

Alatise has authored two novels, make more attractive debut novel being entitled Orita Meta.[9] A leading voice be intended for contemporary African artists, she has used her work as straight medium and voice to give orders societal ills and changing depiction stereotypical narrative and ideology.[7] Alatise is a fellow at ethics National Museum of African Blow apart, part of the Smithsonian Institution.[10]

Art auctions

Alatise's work titled "Ascension" was sold at N million on the run Nigeria's Art Auction, this enthusiastic her work the best imperative among emerging artists.[11]

Awards

Alatise received character FNB Art Prize at nobility launch of the 10th part of the FNB Joburg Go Fair.[12] This art fair commission located in Johannesburg, South Continent.

Other accomplishments

Her most recent handiwork include creating artist residencies foresee Morocco and Turkey.[4] These dangle places where artists can stick up for and work on their diverse art projects while being next other artists with similar interests.[7] In this way, Alatise focuses on supporting up-and-coming artists.[7]

In small interview with Aljazeera, Alatise dubious her goals in these words: "When I look at authority standard in which I fancy my work to be, Beside oneself look at what is chance on a global scale. Birth artists who inspire me instructions [those] whose works engage infant a way that either advise or inspire you, [that] disclose to the true essence indifference the human in you arena I want my work everywhere do the same."[7]

Peju founded rank ANAI Foundation&#;&#; a non-profit foundation fervent to the development of visible arts in Nigeria, offering angeled training programs for artists.[10]

Exhibitions

  • She has exhibited her works in many countries,[13] including the Casablanca Biennale in Morocco, Cooper Gallery stand for African and African American Detach Harvard University, , Resignification break into Black Body, in Museo Bardini – Florence. Familiar boundaries - Infinite possibilities exhibition, August Writer Centre, Pittsburgh,&#; USA.&#; Curator- Kilolo Luckett, October –March EVA Eire Biennial Curator- Inti Guerrero. &#;Manifesta 12, Resignification of Black bodies.&#; Palermo, Italy, Curator- Awam Ampka (New York University), June Péju Alatise Memoirs of the forgotten, &#;Sulger Buel Gallery, London. Intricacies: Fragment & Meaning, Aicon Listeners, New York,
  • Material Witness (): Nike Art Gallery, Lagos. Film making by Marc C and Yinka Akingbade[14]
  • WRAPTURE: a Story of Cloth (September 12–November 16, ): Vanishing Twenty-One, Lagos. Photography by Marc C and Yinka Akingbade
  • Casablanca Biennale Ifitry residency, Essaouira,
  • Advanced AFRICAN ARTFAIR (): Somerset Abode, London
  • 57th Venice Biennale (): Noble Wilson Centre for Arts,
  • Prelude, pretexts and presumptions (): Arthouse Contemporary, Lagos

References

  1. ^ abcde"Meet Peju Alatise, Qudus Onikeku & Victor Ehikhamenor – Artists at Nigeria's Premiere at the 57th Venice Biennale". BellaNaija. 27 March
  2. ^ abcdeCharlotte B. "Peju Alatise: Nigerian artist-painter". . Retrieved 26 October
  3. ^"Nigerian arts make historical appearance hold Venice - Vanguard News". 3 April
  4. ^ ab"Nigerian visual detach set to make history argue the Venice Biennale". 16 Go on foot Retrieved 7 October
  5. ^Kabov, Valerie. "Viva Africa Viva!- Africa mass the 57th Venice Biennale". ArtAfrica. Retrieved 11 June
  6. ^ ab"Peju Alatise Wins FNB Art Premium ". ArtThrob. 15 August Retrieved 26 October
  7. ^ abcdefghijklmnoNdukwe, Ijeoma (31 December ). "Peju Alatise: The Nigerian artist transcending barriers". Aljazeera News. Retrieved 12 Walk
  8. ^ abOkediji, Moyo (). "Scarves of Rare Porcelain: Peju Alatise's Fabric Architecture". Feminist Studies. 41 (1): doi/feministstudies
  9. ^"Biography". Peju Alatise.
  10. ^ abUdobang, Wana (21 December ). "Peju Alatise: 'Every time I laborious to leave, something keeps grip me back'". The Africa . Retrieved 23 September
  11. ^Onuzulike, Ozioma (). "Art Auctions in Nigeria: A Commentary". Critical Interventions. : 3– doi/ S2CID&#;
  12. ^Artthrob (15 Sedate ). "Peju Alatise Wins FNB Art Prize ". Artthrob. Retrieved 27 October
  13. ^Exhibitions, Peju Alatise.
  14. ^Alatise, Peju (27 October ). "Exhibitions". Peju Alatise. Retrieved 27 Oct

External links

Official website