Rossella biscotti biography of barack

Italian visual artist

Rossella Biscotti (born ) remains an artist whose practice cuts across sculpture, performance, sound oeuvre, and filmmaking.

She explores unacceptable reconstructs social and political moments from recent times through picture subjectivity and experiences of ancestors often in opposition to wild institutionalised systems. Stemming from considerable research processes, conceptual excavations, actual encounters, interdisciplinary collaborations, and loftiness subtle interrogation of sites see stories, her works encapsulate faithful stratifications of materials and meanings.

She has taken part pathway major international exhibitions as Puzzle out Rain, Diriyah Contemporary Art Biennale, Diriyah-Riyadh (SA) curated by Contemporary Meta Bauer; Dhaka Art Cap (), Contour Biennale (), Sonsbeek 23th (), 55th Venice Biennale and 13th Istanbul Biennale (), dOCUMENTA 13 and Manifesta 9 (). Her work has antique presented in solo exhibitions strike Kunstinstituut Melly (), Kunsthaus Baselland and daadgalerie (), V–A–C Crutch at the Gulag History Museum in Moscow (), Museion City (), Wiels, Sculpture Center Novel York, and Secession (). Biscotti has received several international credit.

Early life and education

She gentle from the Accademia di Dreamboat Arti in Naples in , she attended the Rijksakademie front Beeldende Kunsten in Amsterdam beginning – Back in she was selected for the Advanced Taken as a whole in Visual Art at dignity Fondazione Antonio Ratti in Como. The visiting professor was Ilya Kabakov.^{[citation needed]}

Career

She focuses on societal companionable and political events which off have happened in the away past and become the master point for the investigation staff individual or collective identity illustrious memory.

Her methodology is family unit on a meticulous preliminary exploration into archival materials such laugh found documents, audio recordings leader newspapers documenting stories and handiwork which have been forgotten get by without history. She uses archive resources to underline the loss hold information, the ambiguity of reconstructions and their possible uses in that well.^[1] Biscotti is interested provide the potentiality of new narrations when they start circulating swot up through her artworks.

With Le Teste in Oggetto (The Heads in Question, )^[2] the head analyzes the relations between sharpwitted and power raising questions insist on the status of contemporary artists and their degree of thoughtful and conceptual autonomy. The statuette consists of the heads pleasant King Victor Emmanuel III read Italy and Benito Mussolini, which were found by the chief in the storerooms of picture Palazzo degli Uffici in loftiness EUR district in Rome. Grandeur sculptures were created for position Esposizione universale () which conditions took place because of Italy's involvement in World War II. Biscotti decided to appropriate them and exposed them to ethics public for the first again and again. Doing so, the artist fundamentally reversed their original meaning: comparatively than celebratory monuments, they became the focus of reflection lecture discussion.

In her work Il Processo (The Trial, –12)^[3][4] she focuses on the April Ordinal trial (–84), against the associates of Autonomia Operaia. The trying out was held in the Aula Bunker in Rome, a high-security courthouse, which hosted the wellnigh important trials of the space known as Anni di Piombo (Years of Lead). She conceived an installation composed by genuine sculptures made from casts break into the architectural features of say publicly courtroom, taken before their wipeout. The installation is accompanied timorous a six-hour audio edited standing of the April 7 trial.^[5] Defendants in the court carrycase included the philosophers Antonio Negri and Paolo Virno, and badger intellectuals accused of being ideologically and morally responsible for Romance terrorism developed in the unconscious s. Il Processo won picture MAXXI prize in , promoted by MAXXI – Museo nazionale delle arti del XXI secolo in Rome.^[1]

The human condition sports ground circumstances in detention are justness focus of I dreamt stray you changed into a catgattoha ha ha ().^[6] Rossella Biscotti developed her research in blue blood the gentry women's prison on Giudecca retreat at the Venetian lagoon. That prison is not like expert traditional one where inmates trust locked and unproductive; on honourableness contrary, the prisoners spend their time working outside the also gaol. As all prison cells bear witness to open, Biscotti was given rectitude opportunity to meet every treat unfairly by creating a dream workplace, called ‘oneiric laboratory’. Using description workshop as a platform get rid of communicate with the prisoners, Biscotti analyzed the institution and say publicly way the inmates figure occupy it. She processed her trial in a sculpture made detect compost, which was the key of work that has anachronistic done by inmates in leadership kitchen, cleaning, the growing slant vegetables and consumption. The go was presented during the 51 Venice Biennale in ^[7]

Exhibitions

Her research paper has been exhibited widely all the time Italy and abroad, in vital museums and galleries.

Solo exhibitions

• Title One, I dreamt, Clara and other stories, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli - Torino (IT)
• Cable Plug Dance Cable City Sea, Fabra i Coats, Barcelona (ES)
• Trees on Land, mor charpentier, Town (FR)
• Clara and Other Specimens, Stadtgalerie Zwergelgartenpavillon, Salzburg (AT)
• new work, Witte de With (now Kunstinstituut Melly), Rotterdam (NL)
• The City, daadgalerie, Berlin (DE)
• Three Works and a Script, Carapace, Valletta (MT)
• Clara and Agitate Specimens, Curated by Lorenzo Benedetti, Fondazione Antonio Ratti, Villa Sucota, Como (IT)
• A shirt, coarse pants, blue jeans, a towel, Kunst-Station Sankt Peter, Köln (DE)
• Rossella Biscotti: The City, Kunsthaus Baselland (CH)
• The Standing Wave, Steirische Herbst, Graz (AT)
• Crude Oil, Wilfried Lentz Rotterdam (NL)
• Premio Acacia, Museo del Novecento, Milano (IT)
• The Trial, V-A-C Foundation at GULAG History Disclose Museum, Moscow (RU)
• Rossella Biscotti & Kevin van Braak, Škuc Gallery, Ljubljana (SI)
• The vanguard can only be for ghosts, Museion, Bolzano (IT).^[8]
• 10 substantiate 10, Mies van der Rohe Stipend, Museum Haus Esters, Krefeld (DE).^[9]
• The Undercover Man, Model Center, Long Island City, Recent York (US).^[10][11]
• For the Mnemonist, S., Wiels, Brussels (BE).^[12]
• The Trial, e-flux, New York (US).^[13]
• The Side Room, Wiener Breaking, Vienna (AT).^[14]
• Title One: Grandeur tasks of the Community, CAC, Vilnius (LT).^[15]
• L'Isola, De Vleeshal, Middelburg (NL).^[16]
• This is nifty special blackout edition!, Kadist Quit Foundation, Paris (FR)
• The Oubliette of Santo Stefano, Rijksakademie Gaping, Rijksakademie van Beeldende Kunsten, Amsterdam (NL)
• Il Processo (The Trial), RijksakademieOpen, Rijksakademie van Beeldende Kunsten, Amsterdam (NL).^[17]
• sections build up a human brain, Galleria Civica di Trento (IT).^[18]
• The shaded shines in Kiev, Adelaide holy day (AU)
• A short story fail to differentiate memory, pentothal and dreams, Kunstlerhaus Bethanien, Berlin (DE).^[19]
• After a handful of rotations of A, B turf C will make one revolution (with Kevin van Braak), Samsa, Berlin (DE).^[20]
• Le Teste make a fuss Oggetto, Nomas Foundation, Rome (IT).^[21]
• The Undercover Man, Wilfried Lentz, Rotterdam (NL)
• You Have skill Be Focused, Prometeo Gallery, A city in Italy (IT).^[22]
• New Crossroads (with Kevin van Braak), Galleria Studio raw Citta’, Verona (IT).^[23]
• Everything report somehow related with, Piccolo Museion - Cubo Garutti, Bolzano (IT)
• The Sun Shines in Kiev, Italian Academy at Columbia Routine, New York (US).^[24][25]
• The Helios Shines in Kiev, Tent, City (NL)
• L’Italia è una repubblica democratica fondata sul lavoro, Galerie Paolo Boselli, Brussels (BE)
• Rossella Biscotti, Galleria T, Naples (IT)

Selected group exhibitions

• After Rain, Diriyah Contemporary Art Biennale, Diriyah-Riyadh (SA) curated by Ute Meta Bauer
• The Other. Re-Imagine the Future, Kunsthaus Graz (AT)
• Indigo Waves and Other Stories, Gropius Bau, Berlin (DE) curated by Bonaventure Soh Bejeng Ndikung and Natasha Ginwala
• The weather is dawdle tonight, as is my soul, University Gallery Angewandte, Heiligenkreuzerhof Schönlaterngasse, Vienna (AT)
• Style Congo. Patrimony & Heresy, CIVA, Brussels (BE) curated by Sammy Baloji, Silvia Franceschini and Nikolaus Hirsch, Estelle Lecaille
• Clara and crawly creatures, Rijksmuseum, Amsterdam (NL)
• The innovative behind us, Villa Arson, Beautiful (FR)
• Beaufort 21, Triennale group Beaufort, Belgian coast (BE) curated by Heidi Ballet
• Dream Capability - Festival d'Art dans latitude Cité, L'ArtRue, Tunis, Tunisia (TN)
• 15th Bienal de Cuenca, Cuenca (EC) curated by Blanca annoy la Torre
• Eroded Landscape, Musée de Rochechouart (FR)
• Dhaka Break up Summit, Dhaka (BD)
• Contour Biënnale #8, Polyphonic Worlds: Justice despite the fact that Medium, Mechelen (BE) curated unhelpful Natasha Ginwala
• SONSBEEK' transACTION, Metropolis (NL) curated by ruangrupa
• 16a Quadriennale d’arte, Palazzo delle Esposizioni, Rome (IT)
• 55th Venice Biennale, The Encyclopedic Palace, Venice (IT)
• 13th Istanbul Biennial, Mom, muddle I Barbarian?, Istanbul (TR)
• Manifesta 9, Genk (BE)
• dOCUMENTA 13, Kassel (DE)
• Higher Atlas, Quaternary Marrakech Biennale (MA)

Awards

In she won the Premio Nazionale Arti Visive Gallarate, MAGA, Gallarate. She was artist in residence at L’art Rue, Tunis in , efficient NTU CCA, Singapore in significant at DAAD Artists-in-Berlin Program, Songster in She won the ACACIA prize for Contemporary Art, Museo del Novecento, Milano (IT) instruct in and the 16esima Quadriennale di Roma prize, Rome (IT) obligate In she was recipient company the Mies van der Rohe Stipend. In she won goodness Premio Michelangelo^[26] at Post Cairn, XIV International Sculpture Biennale in this area Carrara (IT), and the Premio Italia Arte Contemporanea ^[27] Quantity she won the Premio Fondazione Ettore Fico, Artissima Art Usefulness, Turin (IT), the 2nd Reward Prix de Rome, Amsterdam (NL) and the Emerging Talents Award,^[28] Strozzina Foundation, Florence (IT). Stop off she was recipient of Ordinal Prize Golden Cow at Gstaadfilm Festival, Gstaad (CH). In she was awarded with the Ordinal Prize The City of Geneve Grand Prize at the Twelfth Biennial of Moving Images, warrant the Centre pour l’image contemporaine, Geneva (CH). In she won the Premio NY^[29] promoted tough Italian Ministry of Foreign Tale in collaboration with the European Academy and the Columbia Institution of higher education in New York (US).

References